“A”-11
Summer
1950, rev. 11 April, 12 May 1951
For
“A”-11 LZ adopts the form of Guido Cavalcanti’s ballade, Perch’io non spero di tornar già mai, again as in “A”-9 reproducing
precisely the rhyme scheme and line syllable count. T.S. Eliot begins “Ash-Wednesday”
(1930) with a rendition of the famous first line: “Because I do not hope to
turn again.”
Guido Cavalcanti - Ballata: Perch'io non spero
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Perch'io
non spero di tornar già mai,
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ballatetta,
in Toscana,
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va tu
leggiera e piana
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dritta
a la donna mia,
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che per
sua cortesia
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5
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ti fara
molto onore.
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Tu porterai novelle de’ sospiri,
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piene
di doglia, e di molta paura;
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ma
guarda che persona non ti miri,
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che sia
nimica di gentil natura;
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10
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che
certo per la mia disavventura
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tu
saresti contesa,
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tanto
da lei ripresa,
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che mi
sarebbe angoscia;
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dopo la
morte poscia
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15
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pianto
e novel dolore.
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Tu
senti Ballatetta, che la morte
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mi stringe sì, che vita m'abbandona;
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e senti
come'l cor si sbatte forte
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per
quell, che ciascun spirito ragiona;
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20
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Tant’ e
distrutta gia la mia persona,
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ch'i'
non posso soffrire;
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se tu mi vuoi servire
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mena
l'anima teco,
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molto
di ciò ti preco
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25
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quando
uscirà del core.
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Deh
Ballatetta, a la tua amistate
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quest'anima,
che triema, raccomando;
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menala
teco nella sua pietate
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a
quella bella donna, a cui ti mando:
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30
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Deh
Ballatetta, dille sospirando,
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quando
le se' presente:
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Questa
vostra servente
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vien
per istar con vui,
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partita
da colui,
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35
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che fu
servo d'Amore.
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Tu voce sbigottita, e deboletta,
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ch'esci
piangendo de lo cor dolente,
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con
l'anima, e con questa Ballatetta
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va ragionando de la strutta mente,
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40
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Voi
troverete una donna piacente
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di sì dolce intelletto,
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che vi sarà diletto
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starle davanti ognora:
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Anima, e tu l'adora
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45
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sempre nel suo valore.
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(Text
from EP Translations 120-123)
124.2 River that must turn full after I stop
dying: echoes the refrain of Edmund Spenser’s Prothalamion: “Sweete Themmes runne softly, till I end my Song.”
Ahearn adds that the river motif is indebted to the pastoral elegy, “Bronx,” by
the American poet Joseph Rodman Drake (1795-1820), from which LZ quotes in Anew #15,
“No it was no dream of coming death” (CSP
85).
124.7 honor: this terminal
word for each stanza was initially suggested by Cavalcanti’s original in which
the first stanza ends with onore,
although unlike LZ he varies it thereafter. Cf. Baruch de Spinoza’s definition
of honor in Ethics III, Definitions
of the Emotions 3: “Honour or glory (Gloria) is pleasure accompanied by the
idea of some action of ours which we imagine others to praise” (trans. Andrew
Boyle). See 13.297.7.
124.9 Whose losses show them rich and you no
poorer: Cf. Henry James’ “The Altar of the Dead”: “People weren’t poor,
after all, whom so many losses could overtake; they were positively rich when
they had so much to give up” (Ahearn 117).
124.10 what stars’ imprint you mirror: Ahearn
(123) associates this with Paracelsus, the 16th century occult
philosopher (see 12.134.9): “The starry vault imprints itself on
the inner heaven of man” (Paracelsus:
Selected Writings 114). For Paracelsus on “the mirrored image he is,” see 12.177.32-178.4.
124.12 purer / Gold than tongues make…: Ahearn
(122-123) relates this to Paracelsus’ alchemical interests in the purification
of gold as symbolic of a purification of the self, in which case the “tongues”
here suggest the purifying flames.
124.18 blest: Spinoza’s given name, Benedict
or Baruch, means blest, which is how LZ frequently refers to him; see
index.
124.19 We overcome ills by love: Cf. Spinoza, Ethics III, Prop. 44: “Hatred which is
entirely conquered by love passes into love, and love on that account is
greater than if it had not been preceded by hatred” (see 12.233.26).
124.21 rod blossoms: Aaron’s rod blossoms to
confirm the legitimacy of the House of Levi for the high priesthood in Numbers
17:8: “And it came to pass, that on the morrow Moses went into the tabernacle
of witness; and, behold, the rod of Aaron for the house of Levi was budded, and
brought forth buds, and bloomed blossoms, and yielded almonds.” The knight and
minnesinger Tannhäuser requested absolution from the Pope for dawdling in
Venusberg but was refused and told he could not expect forgiveness until the
papal staff grew leaves; Tannhäuser leaves in despair and three days later the
staff blossoms; the subject of one of Wagner’s operas. Also this phrase echoes
the “red blossom” of 8.48.2, 8.105.4.
124.22 in
them I flourish: from Spinoza, Ethics V, Prop. 13: “The more an image
is associated with many other things, the more often it flourishes. Proof.—The more an image is associated
with many other things, the more causes there are by which it can be excited. Q.e.d.” (qtd. Bottom 29); see also quotation at 12.174.22.
125.8 His second paradise: from Paracelsus:
“The striving for wisdom is the second paradise of the world” (Selected Writings 65); see 12.146.24.