Work about LZ

 

The following are divided into three lists of articles, reviews (click here) and dissertations (click here). With only a few outstanding exceptions, virtually all the commentary on LZ prior to 1970 was in the form of reviews. The more substantial reviews or those by particularly significant authors are listed under both categories. The cut-off for the list of reviews is the complete edition of “A” (1978), the last work whose publication LZ oversaw.

 

For articles published only online, see LZ Online. Both lists, but particularly that of the reviews, are indebted to the bibliographies of Bailey and Terrell, both of which are usefully annotated.

 

Articles

 

Ahearn, Barry. Zukofsky's "A": An Introduction. Berkeley: U of California Press, 1983.

___. “The Adams Connection.” Paideuma 7.3 (Winter 1978): 479-493. Rpt. Terrell (1979): 113-127.

___. “Notes on a Convocation of Disciplines.” Montemora 4 (1978): 251-259.

___. “Origins of ‘A’: Zukofsky’s Material for Collage.” ELH 45.1 (Spring 1978): 152-176.

___. “Two Conversations with Celia Zukofsky.” Sagetrieb 2.1 (Spring 1983): 113-131.

___. “Zukofsky, Marxism, and American Handicraft.” In Scroggins (1997): 94-111.

Albiach, Anne-Marie. “Contrepoint.” Siècle à mains 12 (1970) [with trans. of first half of “A”-9]. Rpt. Anawratha. Le Revest-des-Eaux: Spectres familiers, 1984; Romainville: Al Dante, 2006. 49-57

Altieri, Charles. “The Objectivist Tradition.” Chicago Review 30.3 (Winter 1979): 5-22. Rpt. The Objectivist Nexus, eds. Rachel Blau DuPlessis and Peter Quartermain (1999): 25-36.

Baker, Peter. Obdurate Brilliance: Exteriority and the Modern Long Poem. Gainesville, FL: U of Florida P, 1991 [includes chap. “‘They’ll tell me it’s difficult’: Stein/Zukofsky].

Baldwin, Neil. "The Letters of William Carlos Williams to Louis Zukofsky: A Chronicle of Trust and Difficulty." Library Chronicle of the University of Texas 23 (1983): 37-49.

___. “Varieties of Influence: The Literary Relationship of William Carlos Williams and Louis Zukofsky.” Credences: A Journal of Twentieth Century Poetry and Poetics, new series 2.1 (Summer 1982): 93-103.

___. “Zukofsky, Williams, and The Wedge: Toward a Dynamic Convergence.” In Terrell (1979): 129-142.

Baraban, Stephen. “Zukofsky’s ‘The Laws Can Say.’” Explicator 43.2 (1985): 40-41.

Beach, Christopher. ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition. Berkeley: U of California P, 1992 [includes chap. “Expanding the Poundian Field: Whitman, Williams, and Zukofsky”].

Bernlef, J. “Louis Zukofsky: Het ritme van ogen.” De Gids [Netherlands] 130.3 (1967): 179-181.

Bernstein, Charles. “Foreword“ to Prepositions +: The Collected Critical Essays. Ed. Mark Scroggins. Wesleyan UP, 2001. vii-xii.

___. “Introduction” to Louis Zukofsky: Selected Poems. NY: Library of America, 2006. jacketmagazine.com/30/z-bernstein.html

___. “Words and Pictures.” Sagetrieb 2.1 (Spring 1983): 9-34. Rpt. Content’s Dream: Essays 1975-1984. Los Angeles: Sun and Moon, 1986. 114-161 [includes discussion of Bottom].

Beyers, Chris. “Louis Zukofsky in Kentucky in History.” College Literature 30.4 (2003): 71-88.

Booth, Marcella [Spann]. A Catalogue of the Louis Zukofsky Manuscript Collection. Austin: Humanities Research Center, The U of Texas, 1975.

___. “The Zukofsky Papers.” Library Chronicle of the University of Texas, 2 (190): 48-59. Rpt. with revisions as “The Zukofsky Papers: The Cadence of a Life.” In Terrell (1979): 393-400.

Bradbury, Richard. “Objectivism.” American Poetry: The Modernist Ideal. Eds. Clive Bloom and Brian Docherty. NY: St. Martin’s P, 1995. 131-142.

Brakhage, Stan. “Note on Bottom: on Shakespeare.” Film Culture 32 (Spring 1964): 77 [brief note].

Braun, Richard Emil. “The Original Language: Some Postwar Translations of Catullus.” Grosseteste Review 3.4 (1970): 27-34.

Brown, Norman O. “Revisioning Historical Identities.” Tikkun 5.6 (Nov/Dec. 1990): 36-40,107-110. Rpt. Apocalypse and/or Metamorphosis (Berkeley: U of California Press, 1991): 158-178 [includes discussion of “‘Mantis,’” “A”-9, Marx and Spinoza].

Bunting, Basil. “An Open Letter to Louis Zukofsky.” Il Mare (2 Oct. 1932). Rpt. in Dale Reagan, “Basil Bunting obiter dicta.” Basil Bunting: Man and Poet, ed. Carroll F. Terrell (Orono, ME: National Poetry Foundation, 1981): 240-243 [also included are misc. remarks on LZ from interviews and letters, 265-267]; Sulfur 14 (1985): 8-10 [critical response to LZ’s “Objectivists” theories].

___. “Pound and ‘Zuk.’” Paideuma 7.3 (Winter 1978): 373-374. Rpt. New Directions 39 (1979): 149-150.

___. “Zukofsky.” Basil Bunting on Poetry. Ed. Peter Makin (Baltimore: Johns Hopkins UP, 1999). 151-170.

Burke, Kenneth. The Humane Particulars: The Collected Letters of William Carlos Williams and Kenneth Burke. Ed. James H. East. Columbia, SC: U of South Carolina P, 2003 [includes Burke’s epistolary remarks on “A” 1-12, 213-216].

Bush, Ronald. “Science, Epistemology, and Literature in Ezra Pound’s Objectivist Poetics (With a Glance at the New Physics, Louis Zukofsky, Aristotle, Neural Network Theory, and Sir Philip Sidney).” The Idea and the Thing in Modernist American Poetry. Ed. Christina Giorcelli. Palermo: Editrice Ila Palma, 2001. 147-172. Rpt. Literary Imagination: Review of the Association of Literary Scholars 4.2 (Spring 2002): 191-210.

Butterick, George F. “With Louis Zukofsky in Connecticut.” Credences: A Journal of Twentieth Century Poetry and Poetics, new series 1.2/3 (Fall/Winter 1981/82): 158-163.

Byrd, Don. The Poetics of the Common Knowledge. Albany: State U of New York P, 1994. 238-260 [section on “The Performance of Person: Louis Zukofsky”].

___. “Getting Ready to Read ‘A’.” boundary 2 10.2 (Winter 1982): 291-308.

___. “The Shape of Zukofsky’s Canon.” Paideuma 7.3 (Winter 1978): 455-477. Rpt. Terrell (1979): 163-185.

Campbell, P. Michael. “The Comedian as the Letter Z: Reading Zukofsky Reading Stevens Reading Zukofsky.” In Scroggins (1997): 175-191.

Campos, Augusto de. "Objetivo: Louis Zukofsky." À Margem da Margem. São Paulo: Companhia das Letras, 1989. 113-25.

Carruth, Hayden. “Louis Zukofsky.” Poetry 110.6 (Sept. 1967): 420-422 [review of All].

___. “The Only Way To Get There From Here.” Journal of Modern Literature 4.1 (Sept. 1974): 88-90.

Carson, Luke. Consumption and Depression in Gertrude Stein, Louis Zukofsky and Ezra Pound. NY: St. Martin's, 1999.

Charters, Samuel. “Essay Beginning ‘All’.” Modern Poetry Studies 3.6 (1973): 241-250.

Clark, Thomas. “Zukofsky’s All.” Poetry 107.1 (Oct. 1965): 55-59.

Cole, Peter. “The Object and Its Edge: Rothko, Oppen, Zukofsky, and Newman.” Sagetrieb 5.3 (Winter 1986): 127-145.

Comens, Bruce. Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky, U of Alabama P, 1995.

___. "From A to An: The Postmodern Twist in Louis Zukofsky." Sagetrieb 10.3 (Winter 1991): 37-62. Rpt. rev. Apocalypse and After (1995).

___. “Soundings: The ‘An’ Song Beginning ‘A’-22.” Sagetrieb 5.1 (Spring 1986): 95-106. Rpt. rev. Apocalypse and After (1995): 180-186.

Conniff, Brian. “The Modern Lyric and Prospero’s Island.” Twentieth Century Literature 34.1 (Spring 1988): 84-112 [primarily on Auden’s The Mirror and the Sea but with significant discussion of “A”-7 as an exemplary counter-example].

Conquest, Robert. “The Abomination of Moab.” Encounter 34 (May 1970): 56-63 [review of Catullus].

Conte, Joseph. Unending Design: The Forms of Postmodern Poetry. Ithaca, NY: Cornell UP, 1991 [chapters “Sounding and Resounding Anew: LZ and Lorine Niedecker” 141-163; “Renovated Form: The Sestinas of John Ashbery and LZ” 167-192; “Canonic Form in Weldon Kees, Robert Creeley, and LZ” 192-213].

Cook, Albert. “Metrical Inventions: Zukofsky and Merwin.” College Literature 24.3 (Oct. 1997): 70-83.

Cordes, Jocelyn. “Love’s Labor: Reading Zukofsky’s Bottom: on Shakespeare.” Sagetrieb 14.3 (Winter 1995): 77-88.

Corman, Cid. The Practice of Poetry: Reconsiderations of Louis Zukofsky's A Test of Poetry. Brattleboro, VT and Kyoto, Japan: Longhouse and Origin, 1998.

___. “‘Anew’ Anew.” Kulchur 4 (1961): 100-102.

___. “‘A’-2: Getting On With It.” Sagetrieb 3.3 (Winter 1984): 107-114.

___. “‘A’-3: RICKY with addenda: 1-9.” Origin, fifth series 5 (Spring 1985): 38-66.

___. “At: Bottom.” Caterpiller 2 (1966): 1-36. Rpt. Word for Word: Essays on the Arts of Language, vol. 1. Santa Barbara, CA: Black Sparrow Press, 1977. 128-169.

___. “GAMUT/LZ.” Origin, fifth series 4 (Fall 1984): 51-54.

___. “In the Event of Words.” In Terrell (1979): 305-336 [introductory remarks followed by a selection of key “critical statements” quoted from throughout LZ’s works, including a few snippets from letters to Corman].

___. “Love—In These Words.” MAPS 5 (1973): 26-54.

___. “Meeting in Firenze.” Sagetrieb 1.1 (Spring 1982): 120-124 [an account of Corman’s first meeting with LZ in Florence].

___. “Opening Anew.” Line 11 (Spring 1988): 30-40.

___. “Poetry as Translation.” Grosseteste Review 3.4 (1970): 3-20. Rpt. At Their Word: Essays on the Arts of Language, vol. 2. Santa Barbara, CA: Black Sparrow Press, 1978. 16-30.

___. “Ryokan’s Scroll” Sagetrieb 1.2 (Fall 1982): 285-289.

___. “The Transfigured Prose.” Paideuma 7.3 (Winter 1978): 447-453.

___. “Working in the Desert.” Sagetrieb 5.1 (Spring 1986): 53-56 [on the relationship between LZ and EP].

___. “The Z Gambit: Appendix to ‘A’-1”. Origin, fifth series 2 (Winter 1983): 70-87.

Cox, Kenneth. Collected Studies in the Use of English. London: Agenda Editions, 2001.

___. “’A’-24.” Agenda 11.2-3 (Spring-Summer 1973): 89-91.

___. “Louis Zukofsky.” Agenda 13/14 (Winter/Spring 1976): 127-130.

___. “Louis Zukofsky.” Agenda 16.2 (Spring 1978): 11-13.

___. “Louis Zukofsky.” Collected Studies (2001): 237-247.

___. “The Poetry of Louis Zukofsky: ‘A.’” Agenda 9.4-10.1 (Autumn-Winter 1971-1972): 80-89.

___. “The Poetry of Louis Zukofsky.” Montemora 5 (1979): 5-12.

___. “Relations with Pound.” Agenda (1988). Rpt. Collected Studies (2001): 247-256 [review of Pound/Zukofsky correspondence].

___. “Zukofsky and Mallarmé: Notes on ‘A’-19.” MAPS 5 (1973): 1-11. Rpt. rev. as “Tribute to Mallarmé: ‘A’-19,” Scripsi (1984); Collected Studies (2001): 256-270.

Creeley, Robert. Collected Essays of Robert Creeley. Berkeley: U of California P, 1989 [collects 5 pieces on LZ; see below].

___. “All Ears Hear Here.” New York Times Book Review (20 May 1979): 15. Rpt. Collected Essays (1989): 66-68.

___. “Foreword” to A Test of Poetry. Wesleyan UP, 2000. vii-x.

___. “Foreword” to Complete Short Poetry. Baltimore: Johns Hopkins University Press, 1991. vii-xiv.

___. “For L.Z.” Paideuma 7.3 (Winter 1978): 383-385. Rpt. Terrell (1979): 75-78; New Directions 39 (1979): 151-153; Collected Essays (1989): 69-71.

___. “Louis Zukofsky.” Agenda 4.3-4 (Summer 1966): 45-48; Rpt. A Quick Graph: Collected Notes & Essays. Ed. Donald Allen. San Francisco: Four Seasons Foundation, 1970: 128-132; Collected Essays (1989): 54-57 [review of All 1923-1958].

___. “Louis Zukofsky: “A” 1-12 & Barely and Widely.” The Sparrow (Nov. 1962). Rpt. A Quick Graph Collected Notes & Essays. Ed. Donald Allen. San Francisco: Four Seasons Foundation, 1970121-123.

___. “A Note,” introduction to “A”-1-12. NY: Doubleday, 1967. Rpt. A Quick Graph Collected Notes & Essays. Ed. Donald Allen. San Francisco: Four Seasons Foundation, 1970: 133-142;  Collected Essays (1989): 58-65.

___. “…paradise/our/speech….” Poetry 107-1 (Oct. 1965): 52-55; Rpt. A Quick Graph: Collected Notes & Essays. Ed. Donald Allen. San Francisco: Four Seasons Foundation, 1970: 124-127; Collected Essays (1989): 50-53 [review of All].

Crisp, Peter. “Louis Zukofsky, 1904-78.” Islands 7 (1978): 89-98.

Crozier, Andrew. “Paper Bunting.” Sagetrieb 14.3 (Winter 1995): 45-74.

___. “Zukofsky’s List.” In Rachel Blau DuPlessis and Peter Quartermain, eds. The Objectivist Nexus: Essays in Cultural Poetics. Tuscaloosa, AL: U of Alabama P, 1999. 275-285.

Daive, Jean. “Louis Zukofsky et le style autobiographique,” Foreword to The Writings of Guillaume Apollinaire/ Le Style Apollinaire (with Rene Taupin). Ed. with introduction by Serge Gavronsky. Wesleyan UP, 2003. vii-xii.

Davenport, Guy. Geography of the Imagination: Forty Essays. San Francisco: North Point, 1981.

___. “Ferdinand.” New York Times Book Review (15 June 1969): 5, 31.

___. “Happy Birthday, William Shaxper.” National Review (6 Oct. 1964): 874-876. Rpt. Geography of the Imagination (1981): 100-113 [review of Bottom].

___. “Louis Zukofsky.” Agenda 8.3-4 (Autumn-Winter 1970): 130-137 [review of “A” 13-21 & Catullus].

___. “Ornery Cusses.” National Review (25 March 1969): 288-290 [review of Ferdinand].

___. “Scripta Zukofskii Elogia.” Paideuma 7.3 (Winter 1978): 394-399. Rpt. in Terrell (1979); New Directions 39 (1979): 159-164; Geography of the Imagination (1981):107-113.

___. “Zukofsky’s “‘A’-24.” Parnassus: Poetry in Review 2.2 (Spring-Summer 1974): 15-23. Rpt. Geography of the Imagination (1981): 100-107.

___. “Zukofsky’s English Catullus.” MAPS 5 (1973): 70-75. Rpt. Terrell (1979): 365-370.

Davidson, Michael. “Dismantling ‘Mantis’: Reification and Objectivist Poetics.” American Literary History 3.3 (Fall 1991): 521-541. Rpt. Ghostlier Demarcations: Modern Poetry and the Material Word (Berkeley: U of California P, 1997): 116-134 [besides “Mantis” also includes extensive discussion of “A”-9].

Davie, Donald. “After Sedley, After Pound.” Nation 201 (1 Nov. 1965): 311-313 [review of All].

Dawson, Fielding. “A Memoir Louis Zukofsky.” Paideuma 7.3 (Winter 1978): 571-579. Rpt. Terrell (1979): 103-112.

Dembo, L.S. “Louis Zukofsky: Objectivist Poetics and the Quest for Form.” American Literature 44.1 (March 1972): 74-96. Rpt. Terrell (1979): 283-303.

Dewey, Anne. “History as a Force Field in Pound, Zukofsky, and Olson.” Sagetrieb 13.3 (Winter 1994): 83-116.

Diehl-Johnes, Charlene. “Sounding ‘A’.” Line 14 (Fall 1989): 32-51.

Di Manno, Yves. «Centre introuvable». Java n° 4 (été 1990): 5-6.

Duddy, Thomas A. “The Measure of Louis Zukofsky.” Modern Poetry Studies 3.6 (1973): 250-256.

Duncan, Robert. “As Testimony: Reading Zukofsky These Forty Years.” Paideuma 7.3 (Winter 1978): 421-427. Rpt. A Selected Prose, ed. Robert J. Bertholf (NY: New Directions, 1994): 138-144. Partially translated by Philippe Mikriammos, « En lisant Zukofsky ces quarante dernières années », Java n°4, été 1990, pp. 35-38.

DuPlessis, Rachel Blau. Genders, Races and Religious Cultures in Modern American Poetry, 1908-1934. Cambridge UP, 2001. 166-174 [on “Poem beginning ‘The’”].

DuPlessis, Rachel Blau, and Quartermain, Peter, eds. The Objectivist Nexus: Essays in Cultural Poetics. Tuscaloosa: U of Alabama P, 1999.

Eastman, Andrew. «La modernité américaine dans la poésie française: Jacques Roubaud et le “vers libre” américain», Revue Française d’Etudes Américaines, n° 80 («Traduire l’Amérique») (mars 1999): 23-32.

Enslin, Theodore. “Out of a Deep Need—LZ and ‘A’.” O.ARS 2: Per/ception, ed. Don Wellman. Cambridge, MA (1982): 99-101.

Fauchereau, Serge. «Poésie Objectiviste». Les Lettres Nouvelles (mai 1967). Rpt. «La poésie en Amérique: l’objectivisme». Lecture de la poésie américaine, éd. augmentée et illustrée. Paris: Somogy édition d’art, 1998 (1e éd.: Paris, Ed. de Minuit, 1968). 125-140. Trans. Richard Lebowitz, “Poetry in America: Objectivism.” Ironwood 6 (1975): 43-55.

___. «Quelques aînés». Serge Fauchereau (éd.), 41 poètes américains d’aujourd’hui, n° spécial bilingue. Les Lettres Nouvelles (décembre 1970-janvier 1971): 23-29.

Fetzer, Glenn W. «Poésies en fin de siècle sous le signe de l’objectivisme américain». François Rouget, avec la collaboration de John Stout (textes réunis et présentés par), Poétiques de l’objet. L’objet dans la poésie française du Moyen-Âge au XXe siècle. Actes du- colloque international de Queen’s University (mai 1999). Paris: Honoré Champion éditeur, coll. Colloques, congrès et conferences. Epoque moderne et contemporaine, 2001. 459-469.

Finkelstein, Norman. The Utopian Moment in Contemporary American Poetry. Rev. ed. Lewisburg, PA: Bucknell UP, 1993.

___. “Jewish-American Modernism and the Problem of Identity: With Special Reference to the Work of Louis Zukofsky.” In Scroggins (1997): 65-79. Rpt. Not One of Them in Place: Modern Poetry and Jewish American Identity (Albany, NY: SUNY P, 2001): 35-53.

Finley, Ian Hamilton. “In Memory.” Paideuma 7.3 (Winter 1978): 376.

Fournier, Michael. “Complete Short Poetry, by Louis Zukofsky.” Sagetrieb 9.3 (Winter 1990): 147-150.

Franciosi, Robert. “Reading Reznikoff: Zukofsky and Oppen.” North Dakota Quarterly 55.4 (Fall 1987): 283-395. Rpt. The Objectivist Nexus: Essays in Cultural Poetics, eds. Rachel Blau DuPlessis and Peter Quartermain. Tuscaloosa, AL: U of Alabama P, 1999. 257-274.

Fredman, Stephen. A Menorah for Athena: Charles Reznikoff and the Jewish Dilemmas of Objectivist Poetry. U Chicago P, 2001.

Gavronsky, Serge. Mallarmé spectral ou, Zukofsky au travail. La Souterraine, France: La Main courante, 1998.

___. “Borrowing Mallarmé.” Esprit Createur 40.3 (Fall 2000): 72-85.

___. “Guillaume Apollinaire Subsumed Under Louis Zukofsky’s Gaze: ‘…listening receptively…,” introduction to The Writings of Guillaume Apollinaire/Le Style Apollinaire (with Rene Taupin). Wesleyan UP, 2003. xiii-l.

___. "The object is (in) poetics." Pequod 34 (1992): 145-59.

___. “Translating Zukofsky.” Golden Handcuffs Review 1.5 (Summer-Fall 2005).

Gilonis, Harry, ed. Louis Zukofsky, Or Whomever Someone Else Thought He Was: A Collection of Responses to the Work of Louis Zukofsky. Twickenham & Wakefield, UK: North & South, 1988.

___. “Dark Heart: Conrad in Louis Zukofsky’s A,” The Conradian 14.1-2 (1989): 92-101.

___. “The Forms Cut Out of the Mystery: Bunting, Some Contemporaries, and Lucretius’s ‘Poetry of Facts.’” Durham University Journal (1995) 146-162.

Giorcelli, Cristina. “A Stony Language: Zukofsky’s Zadkine.” The Idea and the Thing in Modernist American Poetry. Ed. Christina Giorcelli. Palermo: Editrice Ila Palma, 2001. 109-139.

___. Giorcelli, Cristina. “Parole in musica, musica di parole: sull'Autobiography di Louis Zukofsky.” Letterature d'America 22 (1984): 67-93.

Golden, Seán. “‘Whose morsel of lips will you bite?’” Some Reflections on the Role of Prosody and Genre as Non-Verbal Elements in the Translation of Poetry.” Nonverbal Communication and Translation. Ed. Fernando Poyatos. Amsterdam: J. Benjamins, 1997. 217-245 [includes discussion of LZ’s homophonic translations, particularly from Welsh in Little].

Golding, Alan. “The ‘Community of Elements’ in Wallace Stevens and Louis Zukofsky.” Wallace Stevens: The Poetics of Modernism. Ed. Albert Gelpi. Cambridge: Cambridge UP, 1985. 121-40.

Golston, Michael. “Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis.” Modernism/Modernity 13.2 (April 2006): 325-347.

Goodman, George, Jr. “Louis Zukofsky, 74, a Major Poet of Objectivist School and Novelist.” New York Times (14 May 1978): sec. 1: 28.

Gordon, David. “A Note on LZ’s Catullus LXI: Theme and Variations.” Sagetrieb 2.2 (Fall 1983): 113-121.

___. “Three Notes on Zukofsky’s Catullus I ‘Catullus viii’: 1939-1960.” In Terrell (1979): 371-381.

___. “Zuk and Ez at St. Liz.” Paideuma 7.3 (Winter 1978): 581-584. Rpt. New Directions 39 (1979): 178.

___. “Zuk on His Toes.” Sagetrieb 1.1 (Spring 1982): 133-141 [primarily about Catullus].

Greene, Jonathan. “Zukofsky’s Ferdinand.” MAPS 5 (1973): 131-136. Rpt. Terrell (1979): 337-341.

Grenier, Robert. “Notes on Coolidge, Objectives, Zukofsky, Romanticism, And &.” Situation 5 (Winter 1978). Rpt. In the American Tree, ed. Ron Silliman (Orono, ME: National Poetry Foundation, 1986): 530-543.

Grim, William E. “Form and the Long Poem: The Music of Zukofsky's A.” Pembroke Magazine 24 (1992): 141-146.

__. “The Use of Medieval Music in Louis Zukofsky’s ‘A’.” Studies in Medievalism 6, supplement (1996): 176-182.

Harmon, William. “Eiron Eyes.” Parnassus 7.2 (1979): 5-23. Rpt. Parnassus: Twenty Years of Poetry in Review, ed. Herbert Leibowitz (Ann Arbor: U of Michigan P, 1994): 45-63.

Hass, Robert. “Zukofsky at the Outset.” American Poetry Review 34.5 (Sept.-Oct. 2005): 59-70.

Hatlen, Burton. “Art and/as Labor: Some Dialectical Patterns in ‘A’-1 through ‘A’-10.” Contemporary Literature 25.2 (Summer 1984): 204-234.

___. “Catullus Metamorphosed.” Paideuma 7.3 (Winter 1978): 539-545.

___.  “From Modernism to Postmodernism: Zukofsky’s ‘A’-12.” Sagetrieb 11.1/2 (Spring/Fall 1992): 21-34. Rpt. in Scroggins (1997): 214-229.

___. “A Poetics of Marginality and Resistance: The Objectivist Poets in Context.” In Rachel Blau DuPlessis and Peter Quartermain, eds. The Objectivist Nexus: Essays in Cultural Poetics. Tuscaloosa, AL: U of Alabama P, 1999.

___. “Re Reno Odlin: A Riposte.” Paideuma 9 (1980): 579-582.

___. “Stalin and/or Zukofsky: A Note.” Paideuma 8 (1979): 149-151.

___. [Review of] Zukofsky’s ‘A’: An Introduction, by Barry Ahearn. Sagetrieb 2.1 (Spring 1983): 147-150.

___. “Zukofsky as Translator.” In Terrell (1979): 345-364.

___. “Zukofsky, Wittgenstein, and the Poetics of Absence.” Sagetrieb 1.1 (Spring 1982): 63-93.

Heller, Michael. Conviction's Net of Branches: Essays on the Objectivist Poets and Poetry. Southern Illinois University Press, 1985 [two chapters on “LZ’s Objectivist Poetics: Reflections and Extensions” and “The Poetry of LZ: To Draw Speech”].

___. “Objectivists in the Thirties: Utopocalyptic Moments.” The Objectivist Nexus: Essays in Cultural Poetics. Eds. Rachel Blau DuPlessis and Peter Quartermain. Tuscaloosa, AL: U of Alabama P, 1999. 144-159.

___. “The Objectivists: Some Discrete Observations.” Ohio Review 26 (1981): 85-95. Rpt. Conviction’s Net of Branches (1985): 1-15.

___. “The Poetry of Louis Zukofsky: To Draw Speech.” Origin 5.1 (1983): 44-55. Rpt. Conviction’s Net of Branches (1985): 22-35.

___. “Some Reflections and Extensions: Zukofsky’s Poetics.” MAPS 5 (1973): 22-25. Rpt. in Conviction’s Net of Branches (1985): 16-21.

Helmling, Steven. “Louis Zukofsky.” Dictionary of Literary Biography: American Poets Since World War II, Part 2. Ed. Donald J. Greiner. Detroit: Gale Research, 1980. 422-434.

Henderson, Cathy. “Supplement to Marcella Booth’s ‘A Catalogue of the Louis Zukofsky Manuscript Collection.’” In Oliphant and Dagel: 107-181.

Hennessy, Michael. "Louis Zukofsky, Charles Tomlinson, and the ‘Objective Tradition.’” Contemporary Literature 37.2 (Summer 1996): 333-45.

Homberger, Eric. “Communists and Objectivists.” The Objectivist Nexus: Essays in Cultural Poetics. Eds. Rachel Blau DuPlessis and Peter Quartermain. Tuscaloosa, AL: U of Alabama P, 1999. 107-125.

Hooley, Daniel M. “Tropes of Memory: Zukofsky’s Catullus.” Sagetrieb 5.1 (Spring 1986): 107-123. Rpt. The Classics in Paraphrase: Ezra Pound and Modern Translators of Latin Poetry (London/Toronto: Associated UP, 1988): 55-69.

Hunt, Erica. “Beginning at ‘Bottom.’” Poetics Journal 3 (May 1983): 63-66.

Ignatow, David. "Louis Zukofsky—Two Views." Paideuma 7.3 (Winter 1978): 549-51.

Irby, Kenneth. [Review of] Bottom: on Shakespeare. Kulchur 16 (Winter 1964-65): 98-103.

___. “Some Notes on Zukofsky’s 80 Flowers and Michele J. Leggott’s Reading Zukofsky’s 80 Flowers.” Sulfur 34 (1994): 234-249.

Johnson, Kent. “A Fractal Music: Some Notes on Zukofsky’s Flowers.” In Scroggins (1997): 257-275.

Johnson, Ronald. “L.Z.” L=A=N=G=U=A=G=E 4 (Aug. 1978) 2-3 [brief note].

Jones, Alan. “The Zukofsky-Zadkine Files.” Arts Magazine 66.5 (Jan. 1992): 25-26.

Jones, Peter. “Louis Zukofsky.” Poetry Nation (London) 5 (1975): 109-114.

Kadlec, David. “Early Soviet Cinema and American Poetry.” Modernism/Modernity 11.2 (2004): 299-331.

Kasemets, Udo. Z for Zuk for Zukofsky: A Celebration of 80 Flowers. Toronto: Sun, 1995.

Kelly, Robert. “A Book of Solutions.” Paideuma 7.3 (Winter 1978): 400.

___. “Song?/After Bread: Notes on Zukofsky’s A 1-12.” Kulchur 3.12 (Winter 1963): 33-63.

Kenner, Hugh. A Homemade World: The American Modernist Writers. New York: William Morrow, 1975.

___. “Bottom on Zukofsky.” Modern Language Notes 90.6 (Dec. 1975): 921-922 [introduction to short excerpt from Bottom].

___. “Foreword” to Prepositions: The Collected Critical Essays of LZ, expanded ed. Berkeley: U of California P, 1981. vii-x.

___. “Loove in Brooklyn.” Paideuma 7.3 (Winter 1978): 413-420. Rpt. New Directions 39 (1979): 166-175; Historical Fictions: Essays on Literature (San Francisco: North Point Press, 1990): 122-132.

___. “Louis Zukofsky: All the Words.” New York Times Book Review (18 June 1978). Rpt.  Paideuma 7.3 (Winter 1978): 386-89; New Directions 39 (1979): 154-157.

___. “Of Notes and Horses.” Poetry 111.2 (Nov. 1967): 112-121. Rpt. Terrell (1970): 187-194 [review of “A” 1-12].

___. “Oppen, Zukofsky, and the Poem as Lens.” Literature at the Barricades: The American Writer in the 1930s. Eds. Ralph Bogardus and Fred Hobson. Tuscaloosa, AL: U of Alabama P, 1982. 162-171.

___. “Too Full for Talk: ‘A’-11.” MAPS 5 (1973): 12-21. Rpt. Terrell (1979): 195-202.

Lang, Abigail. «Sur Louis Zukofsky. Index», Action poétique n° 176, juin 2004, pp. 64-69.

___. «“Reading slipperwort”: des articulations syntaxiques dans 80 Flowers de Louis Zukofsky». Revue française d’études américaines, n° 103, «Poètes américains: architectes du langage» (février 2005): 93-103.

Leggott, Michele J. Reading Zukofsky’s “80 Flowers.” Baltimore: Johns Hopkins UP, 1989.

___. “‘See How the Roses Burn!’ The Epigraph of Zukofsky’s 80 Flowers.” Sagetrieb 4.1 (Spring 1985): 115-136.

___. “Sharing airs and booting the loot: Duncan and Zukofsky, H.D. in the wings.” Boxkite: a journal of poetry and poetics 2 (Aug 1998): 13-26.

Levertov, Denise. “A Necessary Poetry.” Poetry 97.2 (Nov. 1960): 102-109 [review of “A” 1-12].

Levi Strauss, David. “Approaching 80 Flowers.” Code of Signals: Recent Writings in Poetics. Ed. Michael Palmer. Berkeley: North Atlantic Books, 1983. 79-102.

___. “On Duncan and Zukofsky on Film, Traces Now and Then.” Poetry Flash 135 (1984).

Ma, Ming-Qian. “A ‘no man’s land!’: Postmodern Citationality in Zukofsky’s ‘Poem beginning “The”’.” In Scroggins (1997): 129-153.

Malanga, Gerald. “Some Thoughts on Bottom and After I’s.” Poetry 107.1 (Oct. 1965): 60-64.

Mandell, Stephen R. “A Search for Form: Einstein and the Poetry of Louis Zukofsky and William Carlos Williams.” Einstein and the Humanities. Ed. Dennis P. Ryan. Westport, CT: Greenwood Press/Hofstra U, 1987): 135-139.

Mann, Paul. “Translating Zukofsky's Catullus.” Translation Review 21/22 (1986): 3-9.

Marsh, Alec. “Poetry and the Age: Pound, Zukofsky, and the Labor Theory of Value.” In Scroggins (1997): 112-126.

McAllister, Andrew, ed. The Objectivists. Newcastle upon Tyne: Bloodaxe, 1996.

McMorris, Mark. “Postcolonial ‘A’? Empire & Nation in Louis Zukofsky’s American Movements, ‘A’-14 – ‘A’-17.” Xcp: Cross Cultural Poetics 8 (2001): 11-22.

Melnick, David. “The ‘Ought’ Of Seeing: Zukofsky’s Bottom.” MAPS 5 (1973): 55-65.

Merton, Thomas. “Paradise Bugged.” Critic 25 (Feb.-March 1967): 69-71. Rpt. as “Zukofsky—The Paradise Ear.” The Literary Essays of Thomas Merton. NY: New Directions, 1981. 128-133.

Mittenthal, Robert. “Zukofsky’s Love’s Song a Circle Sent: The Valentine Written to-Two: Initial Period of ‘A’-22 and its Correspondence.” Line 14 (Fall 1989): 11-31.

Moore, Nicholas. “Hot Cat on a Cold Tin Roof Blues (or, Get Your Boots Laced, Fullus—Here Comes That Guy ‘Cat’Ullus.” Poetry Review (London) 62 (1971): 179-187.

Mottram, Eric. “1924-1951: Politics and Form in Zukofsky.” MAPS 5 (1973): 76-103.

Nadel, Ira B. “‘A Precision of Appeal’: Louis Zukofsky and the Index of American Design.” In Scroggins (1997): 112-26.

Niedecker, Lorine. “The Poetry of Louis Zukofsky.” Quarterly Review of Literature 8 (April 1956): 198-210. Rpt. From This Condensery: The Complete Writings, ed. Robert J. Bertholf (Highlands, NC: Jargon Society, 1985): 292-306.
On-line: epc.buffalo.edu/authors/niedecker/essay1.html

___. “A Review of Louis Zukofsky’s A Test of Poetry.” Capital Times (Madison, WI) 18 December 1948.
Online: epc.buffalo.edu/authors/niedecker/essay3.html

Nirenberg, Ricardo. “The Sky Over Louis Zukofsky and Some Others.” Litteraria Pragensia: Studies in Literature and Culture 15.29 (2005): 64-77.

Odlin, Reno. “Materials Toward an Essay on Zukofsky’s ‘A’”. Paideuma 9.3 (Winter 1980): 551-560 and 10.2 (Fall 1981): 315-325.

___. “Brief Notes on ‘A’”. Sagetrieb 1.1 (Spring 1982): 100-102.

Oliphant, Dave and Gena Dagel, eds. Lawrence, Jarry, Zukofsky: A Triptych—Manuscript Collections at Harry Ransom Humanities Research Center. Austin, TX: Harry Ransom Humanities Research Center, University of Texas, 1987.

Oppen, George. “My Debt to Him.” Paideuma 7.3 (Winter 1978): 375. Rpt. Terrell (1979); New Directions 39 (1979): 150 [short note].

Orange, Tom. “William Carlos Williams between Image and Object.” Sagetrieb 18.2 & 3 (2002): 127-156 [includes extensive discussion of the development of WCW’s poetics in relation to LZ’s formulation of “Objectivist” poetics].

Palmer, Michael. “On Objectivism.” Sulfur 26 (1990): 117-126.

___. “Period (senses of duration).” Code of Signals: Recent Writings in Poetics. Ed. Michael Palmer. North Atlantic Books, 1983. 81-95.
Online: http://www.english.uiuc.edu/Maps/poets/m_r/palmer/period.html

Parsons, Marnie. Touch Monkeys: Nonsense Strategies for Reading Twentieth-Century Poetry. Toronto: U of Toronto P, 1993.

___. “A More Capacious Shoulder: ‘A’-24, Nonsense, and the Burden of Meaning.” In Scroggins (1997): 230-256.

___. “The Nonsense Recorded Its Own Testimony’: Zukofsky’s ‘A’-24.” West Coast Line 27.2 (Fall 1993): 105-116.

Pearson, Ted. “Something in the Way It Moves.” Sagetrieb 1.2 (Fall 1982): 307-308 [notes on “A”-9].

Penberthy, Jenny. Niedecker and the Correspondence with Zukofsky, 1931-1970. Cambridge: Cambridge UP, 1993.

Perelman, Bob. The Trouble with Genius: Reading Pound, Joyce, Stein, and Zukofsky. Berkeley: U of California P, 1994.

___. “‘A’-24.” The L=A=N=G=U=A=G=E Book. Eds. Bruce Andrews and Charles Bernstein. Carbondale, IL: Southern Illinois UP, 1984. 292-293.

___. “Foreword” to Bottom: on Shakespeare. Wesleyan UP, 2002. vii-xiii.

Perloff, Marjorie. “Barbed-Wire Entanglements: The New American Poetry 1930-32,” Modernism/Modernity 2.1 (Jan. 1995): 145-75. Rpt. Poetry On and Off the Page: Essays for Emergent Occasions (Evanston, IL: Northwestern UP, 1998): 51-82.

___. “The Contemporary of Our Grandchildren: Ezra Pound and the Question of Influence.” Pound among the Poets, ed. George Bornstein. Chicago: U of Chicago P, 1985. 195-229. Rpt. Poetic License: Essays on Modernist and Postmodernist Lyric. Evanston, IL: Northwestern UP, 1990. 119-144 [an earlier version of the section on LZ appeared in "Postmodernism and the Impasse of Lyric." Formations 1.2 (Fall 1984): 43-63].

Quartermain, Peter. Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. Cambridge: Cambridge UP, 1992.

___. “‘Actual Word Stuff, Not Thought for Thoughts’: Louis Zukofsky and William Carlos Williams.” Credences: A Journal of Twentieth Century Poetry and Poetics, new series 2.1 (Summer 1982): 104-122. Rpt. Disjunctive Poetics (1992): 90-103.

___. “‘I Am Different, Let Not a Gloss Embroil You.’” Paideuma 9.1 (Spring 1980): 203-210 [review of 1978 edition of “A”]. Rev. and rpt. as “‘Instant Entirely’: Zukofsky’s ‘A’” in Disjunctive Poetics (1992): 59-69.

___. “Louis Zukofsky—Re: Location.” Open Letter 6 (Fall1973): 54-64.

___. “‘Not at All Surprised by Science’: Louis Zukofsky’s First Half of ‘A’-9.” In Terrell (1979): 203-226. Rpt. Disjunctive Poetics (1992): 70-89.

___. “‘Only Is Order Othered. Nought Is Nulled’: Finnegans Wake and Middle and Late Zukofsky”. ELH 54.4 (Winter 1987): 957-978. Rpt. Disjunctive Poetics (1992): 104-120.

___. “Parataxis in Basil Bunting and Louis Zukofsky.” Durham University Journal, Supplement (1995): 54-70.

___. “Recurrencies: No. 12 of Louis Zukofsky’s Anew.” Paideuma 7.3 (Winter 1978): 523-538. Rpt. Disjunctive Poetics (1992): 44-58.

___. “Thinking with the Poem.” Golden Handcuffs Review 1.5 (Summer/Fall 2005). On-line:
www.goldenhandcuffsreview.com/thinking_with_poem.htm

___. “Writing and Authority in Zukofsky’s Thanks to the Dictionary.” In Scroggins (1997): 154-174.

Raffel, Burton. “No Tidbit Love You Outdoors Far as a Bier: Zukofsky’s Catullus.” Arion 8 (Autumn 1969): 434-445.

Redman, Tim. “Louis Zukofsky.” American Writers: A Collection of Literary Biographies, Supplement III, Part 2. Eds. Lea Baechler and A. Walton Litz. NY: Schribners’ Sons, 1991. 609-632.

Reisman, Jerry. “On Some Conversations With Celia Zukofsky.” Sagetrieb 10.3 (Winter 1991): 139-150.

Rexroth, Kenneth. “From the Past, Two Familiar Voices.” New York Times Book Review (28 July 1957): 5 [review of Some Time].

Reznikoff, Charles. “Entries for Encyclopedia Judaica: Louis Zukofsky.” Charles Reznikoff: Man and Poet. Ed. Milton Hindus. Orono, ME: National Poetry Foundation, 1984. 408-409.

Rich, Adrienne. “Beyond the Heirlooms of Tradition.” Poetry 105.2 (Nov. 1964): 128-129 [review of Found Objects].

Rieke, Alison. The Senses of Nonsense. Iowa City: U of Iowa P, 1992.

___. “‘Quotation and Originality’: Notes and Manuscripts to Louis Zukofsky’s ‘A’.” In Oliphant and Dagel, eds. (1987): 77-105.

___. “Word’s Contexts, Contexts’ Nouns: Zukofsky’s Objectivist Quotations.” Contemporary Literature 33.1 (1992): 113-134. Rpt. The Senses of Nonsense (1992): 200-218.

Rifkin, Libbie. Career Moves: Olson, Creeley, Zukofsky, Berrigan, and the American Avant-Garde. Madison: U of Wisconsin P, 2000. 72-107 [chap. on “Legacy of LZ”].

Rosenthal, M.L. “Zukofsky: ‘All My Hushed Sources.’” In Terrell (1979): 227-234.

Roubaud, Jacques. «Poétique comme exploration des changements de forme. A – La Destruction de la sextine». Jean-Pierre Faye et Jacques Roubaud (sous la dir. de), Change de forme. Biologies et prosodies. Changement de forme, Révolution, Langage – 1, Actes du colloque «Changement de forme, Révolution, Langage» (du 2 au 11/07/1973, Centre Culturel International de Cerisy-La-Salle). Paris: Union Générale d’Editions, coll. 10/18, 1975. 74-86.

Salvato, Nick. “Louis Zukofsky’s Old English Sources for ‘A’-23.” Notes and Queries 49.1 (March 2002): 85-88.

Schelb, Edward. “The Exaction of Song: Louis Zukofsky and the Ideology of Form.” Contemporary Literature 31.3 (Fall 1990): 335-353.

___. “Through Rupture to Destiny: Repetition in Zukofsky.” Sagetrieb 9.1&2 (Spring & Fall 1990): 25-42.

Schimmel, Harold. “Zuk. Yehoash David Rex.” Paideuma 7.3 (Winter 1978): 559-569. Rpt. Terrell (1979): 235-245.

Shapiro, Harvey. “Thinking of the Zukofskys.” Paideuma 7.3 (Winter 1978): 390-391.

Shucard, Alan, Fred Moramarco & William Sullivan. “Crosscurrents of Modernism: The Fugitives and Objectivists.” Modern American Poetry, 1865-1950. Cambridge, MA: U of Harvard P, 1989. 231-241.

Scroggins, Mark. Louis Zukofsky and the Poetry of Knowledge. Tuscaloosa: U of Alabama P, 1998.

___. ed. Upper Limit Music: The Writing of Louis Zukofsky. Tuscaloosa: U of Alabama P, 1997.

___. “‘A’ to ARK: Zukofsky, Johnson, and an Alphabet of the Long Poem.” Facture 1 (2000): 143-152.

___. “An Ernster Mensch at Columbia” and “Adams: Phases of History.” Chicago Review 50.2/3/4 (Winter 2004/05): 7-38 [two chapters from forthcoming The Poem of a Life: A Biography of Louis Zukofsky].

___. “Louis Zukofsky.” Dictionary of Literary Biography 165. Ed. Joseph Conte. Detroit: Gale Research, 1996. 283-300.

___. “Louis Zukofsky.” Holocaust Literature: An Encyclopedia of Writers and Their Work, vol. II. Ed. S. Lillian Kremer. NY: Routledge, 2003. 1360-1362.

___. “‘There are less Jews left in the world’: Louis Zukofsky’s Holocaust Poetry.” Shofar 21.1 (Fall 2002): 63-73.

___. “The Revolutionary Word: Louis Zukofsky, New Masses and Political Radicalism in the 1930s.” In Scroggins (1997): 44-64.

___. “A ‘Sense of Duration’ Wallace Stevens, Louis Zukofsky, and ‘Language.’” Sagetrieb 11.1 & 2 (Spring & Fall 1992): 67-83.

___. “‘To breathe the “literal” Meaning’: Zukofsky’s Catullus.” Talisman 6 (Spring 1991): 42-44.

___. “Z-Sited Path: Late Zukofsky and His Tradition.” The World in Time and Space: Towards a History of Innovative American Poetry in Our Time. Eds. Edward Foster and Joseph Donahue. Jersey City, NJ: Talisman House Publishers 2002. 147-160.

___. “Zukofsky’s Bottom: on Shakespeare: Objectivist Poetics and Critical Prosody.” West Coast Line 27.3 (Fall 1993): 17-36.

Seidman, Hugh. “L.Z. at Polly Tech.” Paideuma 7.3 (Winter 1978): 553-558. Rpt. Terrell (1979): 97-102 as “Louis Zukofsky at the Polytechnic Institute of Brooklyn (1958-61).”

Sharp, Tom. “The ‘Objectivists’ Publications.” Sagetrieb 3.3 (Winter 1984): 41-47.

___. “Sincerity and Objectification.” Sagetrieb 2.1 (Fall 1982): 255-266.

Sherwood, Kenneth. “Introduction” to A Useful Art: Essays and Radio Scripts on American Design. Wesleyan UP, 2003. 1-13.

Shoemaker, Steve. “Between Contact and Exile: Louis Zukofsky’s Poetry of Survival.” In Scroggins (1997): 23-43.

Silliman, Ron. “Z-Sited Path.” The New Sentence. New York: Roof Books, 1989. 127-146 [incorporates a number of previously published shorter pieces on LZ, Williams and Objectivism: “Louis Zukofsky,” L=A=N=G=U=A=G=E 4 (Aug. 1978): 1-2; “Louis Zukofsky,” Paideuma 7.3 (Winter 1978): 405, and “Third Phase Objectivism,” Paideuma 10.1 (Spring 1981): 85-89].

Simon, Linda. “Louis Zukofsky.” Critical Survey of Poetry: English Language Series. Ed. Frank N. Magill. Englewood Cliffs: Salem, 1982. 3220-26.

___. “A Preface to Zukofsky.” Sagetrieb 2.1 (Spring 1983): 89-96.

Slate, Joseph Evans. “The Reisman-Zukofsky Screenplay of “Ulysses”: Its Background and Significance.” Library Chronicle of the University of Texas, new series 20/21 (1982):107-39.

Sloboda, Nicholas. “Introducing the Ludic: The Poetics of Play in Louis Zukofsky’s Fiction.” English Studies in Canada 23.2 (June 1997): 201-215.

Smith, Paul. Pound Revisited. London: Croom Helm, 1983. 133-154 [chapter on “Z-sited: Zukofsky’s ‘A’”].

___. “Pound/Zukofsky.” Dalhousie Review 61 (1981): 356-362.

Sorrentino, Gilbert. Something Said. San Francisco: North Point Press, 1984. 68-76.

___. “Foreword” to Louis Zukofsky, Collected Fiction. Elmwood Park, IL: Dalkey Archive Press, 1990. vii-ix.

___. “The Handles Are Missing.” Village Voice (1976). Rpt. Something Said (1984): 68-75.

___. “Louis Zukofsky.” Paideuma 7.3 (Winter 1978): 401-402.

___. “A Word on Zukofsky.” Paideuma 10.1 (Spring 1981). Rpt. Something Said (1984): 75-76.

Spann, Marcella. “The Zukofsky Papers.” Library Chronicle of the University of Texas, new series 2 (1970): 49-59 [see Booth, Marcella].

Stanley, Sandra Kumanoto. Louis Zukofsky and the Transformation of a Modern American Poetics. Berkeley: U of California P, 1994.

___. “The Link between Williams and Zukofsky.” Journal of Modern Literature 17.1 (Summer 1990): 53-72.

Suter, Anthony. “Basil Bunting et deux poètes américains: Louis Zukofsky et William Carlos Williams.” Caliban 9.8 (Toulouse) (1972): 151-157.

Sylvester, William. “Creeley, Duncan, Zukofsky 1968 – Melody Moves the Light.” Sagetrieb 2.1 (Spring 1983): 97-104.

Taggart, John. Songs of Degrees: Essays on Contemporary Poetry and Poetics. Tuscaloosa: U of Alabama P, 1994.

___. “Moving on to the Beginning.” Afterword to A Useful Art: Essays and Radio Scripts on American Design. Ed. Kenneth Sherwood. Wesleyan UP, 2003. 225-233.

___. “Come Shadow Come and Pick This Shadow Up: On Louis Zukofsky.” American Poetry 5.2 (Winter 1988): 42-67. Rpt. Songs of Degrees (1994): 191-219; Artifice and Indeterminacy: An Anthology of New Poetics, ed. Christopher Beach (Tuscaloosa: U of Alabama P, 1998).

___. “Louis Zukofsky: Songs of Degrees.” Credences: A Journal of Twentieth Century Poetry and Poetics, new series 1.2/3 (Fall/Winter 1981/82): 122-149. Rpt. Songs of Degrees (1994): 82-113.

___. “The Use of ‘A.’” boundary 2, 9.2 (Winter 1981): 291-293 [review of “A”].

___. “Zukofsky’s ‘Mantis.’” Paideuma 7.3 (Winter 1978): 507-522. Rpt. Terrell (1979): 247-262; Songs of Degrees (1994): 51-66.

Terrell, Carroll F., ed. Louis Zukofsky, Man and Poet. Orono, ME: National Poetry Foundation, 1979.

___. “A Bibliography of Works about Louis Zukofsky with Extended Commentary.” In Terrell (1979): 401-38.

___. “Conversations with Celia.” Paideuma 7.3 (Winter 1978): 585-600 [most of this is incorporated into Terrell’s “Eccentric Profile,” except for some further discussions of LZ’s relations with EP].

___. “Louis Zukofsky: An Eccentric Profile.” In Terrell (1979): 31-74.

Tomas, John. “Portrait of the Artist as a Young Jew: Zukofsky’s Poem Beginning ‘The’ in Context.” Sagetrieb 9.1 & 2 (Spring & Fall 1990): 43-64.

Tomlinson, Charles. “Objectivists: Zukofsky and Oppen, a memoir.” Paideuma 7.3 (Winter 1978): 429-445. Rpt. in Terrell (1979): 79-95; Some Americans: A Personal Record (Berkeley: U of California P, 1981): 45-73.

Turquety, Benoît. “Poésie pour les temps modernes: Louis Zukofsky & le cinema.” 1895. Revue de l'association française de recherche sur l'histoire du cinéma n° 49 (juin 2006): 59-90.

Twitchell-Waas, Jeffrey. “Louis Zukofsky.” Review of Contemporary Fiction 22.3 (Fall 2002): 7-54 [critical overview of LZ’s fiction].

___. “Tuning the Senses: Cavalcanti, Marx, Spinoza and Zukofsky’s ‘A’-9.” Sagetrieb 11 (Winter 1992): 57-91.

Vanderborg, Susan. “‘Words Ranging Forms’: Patterns of Exchange in Zukofsky’s Early Lyrics.” In Scroggins (1997): 192-213.

Waldrop, Rosmarie. “Translation: The Zukofsky Catullus.” Lavish Absence: Recalling and Rereading Edmund Jabès. Wesleyan UP, 2002. 72-73 [brief remarks on Jabès’ reaction to Catullus].

Watten, Barrett. “New Meaning and Poetic Vocabulary: From Coleridge to Jackson Mac Low.” Poetics Today 18.2 (Summer 1997): 147-186. Rpt. Constructivist Moment: From Material Text to Cultural Poetics. Wesleyan UP, 2003. 1-44 [includes discussion of “Thanks to the Dictionary”].

___. “Social Formalism: Zukofsky, Andrews, & Habitus in Contemporary Poetry.” North Dakota Quarterly 55.4 (Fall 1987): 365-382.

___. “Zukofsky’s Catullus.” This 4 (Spring 1973): 71.

Weisman, Karen A. “‘Self-Taunt’ and ‘The Courses We Tide From’: A Note on Zukofsky’s ‘A’-4.” Sagetrieb 6.1 (Spring 1987): 75-80.

Whitehouse, Anne. “Playful Severity.” New York Times Book Review (1990) [short review of Collected Fiction].

Williams, Jonathan. “Zoo-cough’s Key’s Nest of Poultry.” Kulchur 4.14 (1964): 4-13.

Williams, William Carlos. Something to Say: William Carlos Williams on Younger Poets. Ed. James E.B. Breslin. New York: New Directions, 1985.

___. “An Extraordinary Sensitivity.” Poetry 60.6 (Sept. 1942): 338-340. Rpt. Something to Say (1985): 129-131 [review of 55 Poems].

___. “A final note” to “A”-1-12. Kyoto, Japan: Origin Press, 1959. 291-296. Rpt. as “Zukofsky” Agenda 3.6 (Dec. 1964): 1-4; Something to Say (1985): 264-267. Trad. Jacques Darras, «À propos de Louis Zukofsky», In’hui n° 14, « William Carlos Williams » (hiver 1980-1981): 80-83.

___. “A New Line Is a New Measure.” The New Quarterly of Poetry 2.2 (Winter 1947-1948): 8-16. Rpt. Something to Say (1985)