Journals and
Publishers of LZ
List of Journals and Small Presses
Bibliography and Note on LZ’s publications in Poetry (Chicago)
A
Note on LZ’s Journal and Other Publications
Like
most poets of his time, LZ relied heavily on journal publications to reach
readers throughout most of his life, and it was not until 1965, when he was 61
years old, that he had his first book brought out by a commercial publisher
with significant distribution. Across his entire career, the single most
important journal venue for his work was Poetry magazine, on which
there is a separate note below. LZ began publishing in student literary
journals soon after he entered Columbia University, when he was just 16, and he
continued to contribute regularly to these and a few mostly NYC based journals
throughout his student days, with the most significant appearance a sonnet in Poetry in 1924. As all
biographical notes indicate, LZ’s major break came with the publication of
“Poem beginning ‘The’” in EP’s Exile 3 (1928), which began the period of his most
intense involvement with little magazines over the next five years. While he
made brief appearances in the some of the most prominent journals of the time—The
Dial, The
Criterion
and transition—he was a regular contributor to particularly two journals: Blues (1929-1930), edited by
Charles Henri Ford & Parker Tyler, and Pagany (1930-1932), edited by
Richard Johns. As the economics of the Depression increasingly squeezed the
little magazine market, LZ’s journal publications in the later 1930s gradually
trailed off to virtually nothing, although he was also concentrating at that
time on much larger projects, particularly “A”, which usually he
managed to see into print fairly promptly. In many respects the 1940s and 1950s
were the most difficult period for LZ to get into print, both because of the
relative paucity of little magazines and the entrenchment of a conservative
modernism, represented above all by the preeminence of T.S. Eliot as both poet
and critic. However, in the mid-1950s Robert Creeley, who credited Robert
Duncan for introducing him to LZ’s work, sought out work for Black Mountain
Review
beginning in 1955, which effectively marks the discovery of LZ by a younger
generation who would become known as the New American Poets. Cid Corman
followed up his publication of “A” 1-12 (1959) and It Was (1961) by Origin Press,
by featuring LZ in the second series of Origin magazine from
1961-1964, with work appearing in every one of the 14 issues. Meanwhile, at the
instigation of Gilbert Sorrentino, Kulchur was reprinting LZ’s most important critical
writings, as well as publishing important earlier prose that had gone
unpublished: “Modern Times,” Arise, arise and the initial version of what became
the novel Little. Throughout the 1960s and into the early 1970s, LZ appeared in
numerous, often obscure little magazines as he was sought out by young poets,
to whom he appears to have responded generously. However, aside from Origin and Kulchur in the early 1960s, he
reserves his major works, particularly the movements of “A”, for Poetry. Also during this
period, no doubt in large part due to the enthusiasm of this younger generation
of poets, LZ saw the rapid appearance of almost all of his work, both old and
new, by commercial publishers. W.W. Norton brought out his collected short
poems as ALL in two volumes (1965 & 1966), “A” 1-12 was reprinted by
Jonathan Cape (U.K, 1966) and Doubleday (U.S., 1967), Prepositions appeared from Rapp
& Carroll (U.K., 1957) and Horizen (U.S., 1968), and then from 1968-1975
Grossman/Jonathan Cape would bring virtually all the rest of LZ’s work into
print in very attractive editions: Ferdinand (1968), Catullus (1969), “A” 13-21 (1969), Autobiography (1970), Little (1970), “A”-24 (1972), Arise, arise (1973) and “A” 22-23 (1975). Finally, LZ was
able to correct the proofs for the collected volume of “A”, which appeared from
the University of California Press the same year as his death in 1978.
List of Journals and
Small Presses
The
following list gives basic notes on the little magazines and presses that
published LZ to give some idea of the networks in which he operated. However,
my resources are limited, so this list is very incomplete and additions would
be appreciated.
Accent: A Quarterly
of New Literature (Urbana, IL). Autumn 1940-Autumn 1960 (20 volumes). Journal of
the creative writing program of the University of Illinois.
Agenda (UK). Ed. William
Cookson (1940-2003), 1959- . Poetry journal begun with Pound’s instigation.
The Albuquerque
Review
(Albuquerque, NM). Ed. N.R. Palmer, June 1961-July 1962. A weekly newspaper.
LZ’s contribution in Dec. 1961 was solicited by Robert Creeley, who was
visiting lecture at the University of New Mexico in Albuquerque during the
1961-1962 academic year.
Alcheringa. Eds. Dennis Tedlock
& Jerome Rothenberg, Fall 1970-1980 (13 issues).
The Ark II/Moby I (San Francisco). Eds.
Michael McClure and James Harmon, 1956-1957 (1 issue).
The Ark III (San Francisco).
Ed. James Harmon, Winter 1957 (1 issue).
Artes
Hispanicas/Hispanic Arts (Indiana U, Bloomington). Ed. Willis Barnstone.
The Beloit Poetry
Journal
(Beloit College, Wisconsin). Ed. David Ignatow, Fall 1952-Fall/Winter 1958.
Black Mountain Review (Black Mt., North
Carolina). Ed. Robert Creeley, Spring 1954-Autumn 1957 (7 issues).
Black Sparrow Press (Los
Angles, Santa Barbara and Santa Rosa). Publ. John Martin. Published Little /
A Fragment for Careenagers (1967) and CZ’s A Bibliography of LZ (1969).
Blue Grass (Georgetown, Kentucky).
Ed. H.B. Chapin. Also a press which published Found Objects (1964).
Blues: A Magazine of
New Rhythms (Columbus, Miss.). Ed. Charles Henri Ford with Parker Tyler (WCW
contributing editor), Feb. 1929-Fall 1930 (9 issues).
Botteghe Oscure (Rome, Italy). Ed.
Marguerite Caetani, Spring 1948-Autumn 1960.
Boxwood Press/Mother
Press (Pittsburgh, Pennsylvania). Publ. Ralph and Mildred Buchsbaum (Boxwood)
and Ron Caplan (Mother), 1952- . Published After I’s (1964).
Bozart-Westminster (Oglethorpe University,
Georgia), see Westminster Magazine.
Burning Deck (Ann Arbor, Michigan
and Durham, Connecticut). Eds. James Camp, D.C. Hope & Bernard Waldrop,
1962-1965 (4 issues).
Calendar (NYC). Ed. Norman
MacLeod, 1940-1942 (annual anthology, 3 issues). Published by The Press of
James A. Decker, Prairie City, Illinois (see below). Sponsored by the Poetry
Center of the New York YMHA, directed by Norman MacLeod; LZ read or
participated in panel discussions at the Poetry Center on at least a couple of
occasions.
Cape Goliard (London).
Ed. Nathaniel Tarn. Goliard Press edited by Barry Hall and Tom Raworth was
founded in 1961 and absorbed by Jonathan Cape to become Cape Goliard in 1967,
with Nathaniel Tarn as General Editor until 1969. Published English edition of Catullus (1969).
Caterpiller. Ed. Clayton Eshleman.
1967-1973 (20 issues).
Cleft: A University
Quarterly
(Edinburgh, UK). Ed. Bill McArthur.
The Columbia Review (NYC). Columbia
University student literary journal that continued what had previously been The
Morningside under the supervision of John Erskine; renamed in 1932 and
overseen by Mark van Doren and Lionel Trilling throughout the 1930s and 1940s.
Combustion (Toronto, Canada). Ed.
Raymond H. Souster, Jan. 1957-1966 (15 issues).
Contact (NY). Eds. William
Carlos Williams with Robert McAlmon & Nathanael West, Feb.-Oct. 1932 (3
issues). Originally WCW and McAlmon edited Contact from Dec. 1920-July
1923 (5 issues).
Contempo: A Review of
Books and Personalities (Chapel Hill, North Carolina). Eds. Milton Avant Abernethy
(1931-1934), Anthony J. Buttitta (1931-March 1932), Minna K. Abernethy (Fall
1932-1934), 31 May 1931-15 Feb. 1934.
Corinth Books (Eighth
St. Bookshop, NYC). Eds. Ted & Eli Wilentz. 1959-1973. Published four books
in conjunction with Jargon Society including the reprint of A Test of Poetry (1964).
Counter/Measures (Bedford, MA).
The Criterion (London). Ed. T.S.
Eliot, Oct. 1922-Jan. 1939.
Cronos (Columbus, Ohio). Ed.
Richard Wirtz Emerson, Spring 1947-March 1948. This journal continued Norman
MacLeod’s Briarcliff Quarterly (see Maryland Quarterly).
Damascus Road (Allentown &
Wesconville, PA). Ed. Charles Shahoud Hanna, 1961-1978 (7 issues).
Decker Press [The Press
of James A. Decker] (Prairie City, Illinois). Publ. James A. Decker, 1937-1947.
Published 55 Poems (1941) and Anew (1946), as well as Lorine Niedecker’s New
Goose
(1946).
The Dial (NY). Eds. Marianne
Moore & James Sibley Watson, Jr. (June 1925-July 1929), Jan. 1920-July
1929.
Échanges (Paris). Ed. Allanah
Harper. 1929-1931 (5 issues).
El Corno Emplumado (Mexico City) Eds.
Margaret Randall and Sergio Mondragon, (Jan. 1962-Oct. 1968), Jan. 1962-July
1969 (31 issues).
The Exile (Rapallo, Italy; publ.
Pascal Covici, Chicago). Ed. Ezra Pound, Spring 1927-Autumn 1928 (4 issues).
Fifth Floor Window (NY). Ed. Harvey N.
Foster.
Folio (Indiana U). Ed.
Clayton Eshleman. Student literary journal for Indiana U.
The Forum (NY). 1886-1930.
Front (The Hague,
Netherlands). Ed. Norman MacLeod (American representative), Dec. 1930-June 1931
(4 issues). Trilingual journal.
The Galley Sail
Review
(San Francisco, CA). Ed. Stanley McNail, Winter 1958-1970/71 (22 issues).
The Golden Goose (Columbus, Ohio). Eds.
Richard W. Emerson and Frederick Eckman, Summer 1948-Summer 1949 (1st
series). This journal continued from Cronos.
Granata (Cambridge, England).
Founded in 1889 as a student periodical and continuing into the 1970s. The
current publication is a relaunched independent version focusing on new
writing.
Grosseteste Review (Bicester, Oxon.,
England). Eds. Tim Longville and John Riley, 1967-1984.
Grossman Publishers
(NYC). Published American editions of Ferdinand (1968), Catullus (1969), Autobiography (1970), Little (1970), “A”-24 (1972), Arise, arise (1973) and “A” 22
& 23
(1975).
H.B. Chapin (Georgetown,
Kentucky). Published Found Objects (1964).
Helicon (Long Island
University, Brooklyn campus, NYC). Undergraduate literary magazine, 1963-1971.
Hound & Horn (Boston & Portland,
Maine). Eds. Lincoln Kirstein & Varian Fry; R.P. Blackmur (1928-1930),
Bernard Bandler (1929-?), A. Hyatt Major (1931-1932), Allan Tate (1932-1934),
Yvor Winters (1932-1934), Sept. 1927-July/Sept. 1934 (7 volumes).
Il Mare (Rapallo, Italy). Local
weekly newspaper, Ezra Pound was a contributing editor to the literary
supplement.
L’Indice (Genoa, Italy).
Literary magazine.
IMAGI (Allentown, PA &
Baltimore). Ed. Thomas Cole. 1947-1956.
Island (Toronto, Canada). Ed.
Fred Wah, Sept. 1964-1966 (8 issues).
The Jargon Society
(Highlands, North Carolina). Publ. Jonathan Williams, 1951- . Published Some
Time
(1956) and, with Corinth Books, A Test of Poetry, 2nd edn. (1964)
Joglars (Cambridge, Mass. And
Providence, RI). Ed. Clark Coolidge and Michael Palmer, 1964 & 1966 (3
issues).
Jonathan Cape (London).
Publ. & Senior Editor Jonathan Cape, 1921-1960; Tom Maschler 1960-?
(absorbed by Random House in 1987). Published English editions of All: The Collected
Poems 1923-1958 (1966), All: The Collected Poems 1956-1964 (1967) Ferdinand/including
It Was
(1968), and “A” 13-21 (1969).
Jonathan Williams,
Publisher. See Jargon Society.
The Journal of
Creative Behavior. Ed. David Posner.
King Ida’s Watch Chain (Newcastle-upon-Tyne,
England). Ed. Tom Pickard (1 issue on Basil Bunting).
Kulchur (NYC), Eds. Marc
Schleifer (Spring 1960-Summer 1962), Lita Hornick (Summer 1962- ), Gilbert
Sorrentino (1961-Summer 1963) and others, Spring 1960-Winter 1965/66 (20 issues).
Founded as a “vanguard magazine devoted principally to Criticism and
Commentary.”
The Lavender (City College, NYC).
Student publication.
Left: A Quarterly
Review of Radical and Experimental Art (Davenport, Iowa). Ed. Jay DuVon, 1931 (2
issues).
Les Presses Modernes
(Paris).
Lines (NYC). Ed. Aram
Saroyan, Sept. 1964-Nov. 1965 (6 issues).
The Lion & Crown (Columbia University,
NY). Ed. James Leippert. Fall 1932-Jan. 1933? (2 issues).
Maryland Quarterly (University of
Maryland, English Dept., College Park, MD). Eds. various, 1944 (3 issues). This
journal subsequently became the Briarcliff Quarterly when MacLeod moved to
Briarcliff Community College 1945-1947.
The Massachusetts
Review
(U of Massachusetts, Amherst). Eds. F.C. Ellert (Oct. 1959-Summer 1963) and
Sidney Kaplan (Spring 1961-Summer 1963).
Monks Pond. Ed. Thomas Merton,
Spring-Winter 1968 (4 issues).
Montevallo Review (Montevallo, AL). Ed.
Robert Payne, 1950-1953.
Morada. Ed. Norman Macleod
(Albuquerque, NM), first five issues 1929-1930. Eds. Norman Macleod (NYC) and
Donal McKenzie (Laga de Garda, Italy) as tri-lingual journal. 1931.
The Morningside (Columbia University,
NY). The heir of various student literary journals at Columbia University
throughout the 19th century, the publication came out as a poetry journal under
this title in 1898 with John Erskine as chief editor, who continued to oversee
it through the 1920s. Both Whittaker Chambers and Meyer Schapiro served as
editors. Became the Columbia Review in 1932.
Nativity (Delaware, Ohio). Ed.
Boris J. Israel (aka Baline Owen). Winter 1930-Spring 1931 (2 issues).
Neon (Brooklyn, NY). Ed.
Gilbert Sorrentino, 1956-1960 (4 issues and 2 supplements).
New Directions in
Prose and Poetry (Norfolk, CT & NYC). Ed. James Laughlin, annual 1936-1991.
New Masses (NYC). Eds. Mike Gold
and John Sloan, May 1926-March 1948 (began as monthly and became weekly in Jan.
1934. Although Mike Gold was listed as editor throughout, he in fact did not
exercise much editorial control, which devolved to a frequently shifting
editorial board, members of whom included at various times Stanley Burnshaw
(1934-1936), Joseph Freeman (1936-1937), Joshua Kunitz, Herman Michelson,
Joseph North, Loren Miller, Granville Hicks and F.W. Dupree.
New Mexico Quarterly (University of New
Mexico, Albuquerque, NM). 1931-1969.
The New Review (Paris). Eds, Samual
Putnam and Richard Thoma. Jan. 1931-April 1932 (5 issues).
Nomad (London). Eds. Donald
Factor and Anthony Linick. (Culver City, CA), Winter 1959-Autumn 1962 (11
issues).
The Objectivist Press.
See “Objectivists” Publications.
The Old Line (University of
Maryland, College Park, MD). This was a student literary journal that apparently
was edited or advised by Norman MacLeod at the time LZ published in it in 1943.
The following year MacLeod would continue with the Maryland Quarterly.
Origin. Ed. Cid Corman. Five
series: 1st series (Dorchester, Mass.), 20 issues (Spring 1951-Winter 1957),
2nd series (Kyoto, Japan), 14 issues (April 1961-July 1964), 3rd series (Kyoto,
Japan), 20 issues (April 1966-1971), 4th series (Boston), 20 issues (Oct.
1977-July 1982), 5th series (Orono, Maine), 4 issues (Fall 1983-Fall 1984).
Origin Press published “A” 1-12 (1959) and It Was (1961).
Pagan (NYC).
Pagany (Boston & New
York). Ed. Richard Johns, Jan./March 1930-Dec/ 1932 (12 issues).
Paris Review (Paris). Eds. George
Plimpton, Peter Matthiessen, Donald Hall, et. al, Spring 1953-1974; Tom Clark
(Poetry Editor 1964-1974). Paris Review Editions published “A” 1-12 (1966) and “A” 13-21 (1969). LZ published
just once in the journal, three Catullus renditions in #32 (Summer-Fall 1964),
which also included interviews with Cocteau, WCW and Picasso (which supplied
some details in “A”-18), plus two short sections from Charles Olson, Maximus
Poems
(which immediately followed the Catullus) and two poems by Lorine Niedecker.
Partisan Review (NYC). Eds. F.W. Dupee,
Mary McCarthy, et. al., Feb./March 1934- ; Delmore Schwartz (1943-1955).
The Phoenix Book Shop
(Greenwich Village, NYC). Propriator and publisher Robert A. Wilson, 1962-1988.
The Philadelphia
Public Ledger.
The Piccolo Press
(Stroud, Gloucestershire, England).
Poetry (Chicago, Illinois).
Eds. Harriet Monroe (Oct. 1912-Oct. 1936), George Dillon (Nov. 1937-Aug. 1942),
Karl Shapiro (Feb. 1950-Sept. 1955), Henry Rago (Oct. 1955-June 1969), Daryl
Hine (July 1969-Dec. 1977), Oct. 1912- .
Pomegranate Press
(Cambridge, MA), 1972-1981. Founded by the illustrator and designer Karyl Klopp
to publish fine press editions of poetry broadsides and small booklets.
Poor.Old.Tired.Horse (Edinburgh, UK). Ed.
Ian Hamilton Finlay, 1962-1968 (25 issues).
The Pound Newsletter (U of California,
Berkeley). Eds. John Edwards & William Vasse (10 issues).
Quarterly Review of
Literature (Bard College, NY: 1947-1968). Eds. Theodore Weiss (Winter 1944-
) and Renée Weiss (1946- ).
The Resuscitator (Somerset and
Cambridge, UK). Eds. John James and Nick Wayte, Autumn 1963-Jan. 1969.
Rhythmus (NYC). Ed. Gustav
Davidson, Jan. 1923-June 1924.
San Francisco Review. Eds. George Hitchcock,
June Oppen Degnan & Roy Miller, 1959-1962? (12 issues).
Singe (Laundering Room Press,
Newcastle & London). 1976-1977.
The Stinehour Press
(Lunenburg, Vermont). Published 80 Flowers (1978). A fine arts press founded in
1952.
The Symposium (NYC). Eds. James
Burnham and Philip E. Wheelwright, 1930-1933.
To, Publishers. See ”Objectivists” Publications.
Tomorrow (NYC). Ed. Eileen
Garnett, Sept. 1941-Aug. 1951.
Transatlantic Review (NYC). Summer 1959-June
1977 (60 issues). Ed. J.F. McCrindle. Gerald Malanga edited issue #52 as “An
Anthology of New American Poetry.”
transition (Paris until March
1928, then Colombay-les-deux-Eglises, France). Ed. Eugene Jolas, April
1927-Spring 1938.
Tree (Santa Barbara).
Trigram Press (London).
Publ. Asa & Penelope Benveniste and Paul Vaughn, 1965-?. Published “A”22
& 23 (1977).
Trobar (Brooklyn, NY). Eds.
George Economou, Joan Kelly and Robert Kelly, 1960-1964 (5 issues). Trobar
Press published I’s (pronounced eyes) (1963).
Turret Books (London).
Directors Edward Lucie-Smith, Bernard Stone & George Rapp, 1965-1975. Small
press specializing in limited edition booklets by contemporary poets. Published
“A”-14
(1967) Catullus Fragmenta (1968)
Two Worlds: A
Literary Quarterly Devoted to the Increase of the Gaiety of Nations (NYC). Ed. Samuel Roth,
Sept. 1925-Oct. 1927. Contributing editors Arthur Symons, Ezra Pound, Ford
Madox Hueffer.
Unicorn Press (Santa
Barbara, Calif.). Director & designers Alan Brilliant & Teo Savory,
1966-1984. Published An Era (1970).
Varsity (Columbia University,
NYC). Undergraduate magazine.
View (NYC). Ed. Charles
Henri Ford, Sept. 1940-March 1947.
Voices (NY).
Wagner Literary
Magazine
(Wagner College, Staten Island, NY). Ed. Norman Black. (formerly Nimbus).
Westminster Magazine (Oglethorpe University,
Georgia). Originally established in 1911 as a church paper by Thornwell Jacobs,
Westminster Magazine evolved into a literary magazine and then in 1932 into a
quarterly edited by Robert England. In Spring 1935 it merged with the poetry
review Bozart to become Bozart-Westminster, edited by James E. Routh. Issue
9.1/24.1 (Spring-Summer 1935) was guest edited by EP, John Drummond and T.C.
Wilson, and also including contributions by WCW and Niedecker.
Wild Dog (Pocatello, Idaho, Salt
Lake City, Utah and SF). Eds. John Hoopes, Ed Dorn, Drew Wagnon and others, April
1963-March 1966 (21 issues).
Wild Hawthorn Press (Edinburgh, UK).
Founded by Ian Hamilton Finlay and Jesse McGuffie in 1961. Published 16 Once
Published
(1962).
The Windsor Quarterly. (Hartland Four
Corners, Vermont & Commonwealth College, Arkansas). Eds. F.B. Maxham &
Irene Merrill. Spring 1933-Spring 1935.
Workshop (London).
Yale Poetry Review (Newhaven, CT). Eds.
Harvey Shapiro, Tom McMahon & Rolfe Fjelde (Shapiro states that WCW sent
him the poem the journal published in 1946).
LZ’s Publications in
Poetry (Chicago)
By
far the single most important journal that published LZ was Poetry magazine, in which he
appeared over a 50 year period, beginning with a sonnet as he turned 20 years
old. Despite Harriet Monroe’s tepid response to the “Objectivists” issue of
Feb. 1931, LZ continued to place key poems in Poetry, which unlike little
magazines paid contributors as well as being his best chance at a national
audience. When Henry Rago assumed editorship of the journal (1955-1969), he was
an enthusiastic supporter of LZ, who came to see Poetry as his preferred venue
for publishing the movements of “A”. In all, ten movements would appear in the
journal, including the complete sequence “A” 14-22 (excluding the brief “A”-16
& -20).
“Of Dying Beauty,” Poetry 23.4 (Jan. 1924): 197.
“Siren and Signal”
[sequence including “’He came also still’”; “All the stars have filled the
heavens”; “Play lost banjos”; “North River Ferry” [Ferry]; “Cars once steel and
green”; “Comes a day when the round tracts of sky”; “During lunch hour”], Poetry 34.3 (June 1929):
146-149.
“A” (Seventh Movement);
“University: Old Time” [as Joyce
Hopkins]; “Program: ‘Objectivists’ 1931”; “Sincerity and
Objectification” I, II, III; Note to Symposium by Parker Tyler and Charles
Henri Ford; Translation of René Taupin, “Three Poems by André Salmon”—I, Poetry 37.5 (Feb. 1931):
242-246, 268-285, 287-288, 289-293 [“Objectivists” issue].
“The February Number”
(reply to Stanley Burnshaw), Poetry 38.1 (April 1931): 55-57 [with Burnshaw’s
letter responding to the “Objectivists” issue].
“’London or Troy?’
‘Adest’” (review of Basil Bunting, Redimiculum Matellarum), Poetry 38.3 (June 1931):
160-162.
“A” (Second Movement), Poetry 40.1 (April 1932):
26-29.
“Objectivists Again,” Poetry 42.2 (May 1933): 117
[letter to the editor replying to Morris U. Schappes’ review of An
“Objectivists” Anthology in Poetry 41.6 (March 1933) with brief response by
Schappes 117-118].
“Song 29,” Poetry 42.6 (Sept. 1933): 312.
“‘Mantis,’” Poetry 45.6 (March 1935):
320-321.
“A”-9 (First Half), Poetry 58.3 (June 1941):
128-130.
“1892-1941,” Poetry 59.6 (Sept. 1942):
314-315.
“Poetry in a Modern Age”
(review of Vivienne Koch, William Carlos Williams), Poetry 76.3 (June 1950):
177-180 [incorporates “An Old Note on Williams Carlos Williams’].
“The Judge and the
Bird,” Poetry 85.2 (Nov. 1954): 74-76.
“The
Guests,” Poetry 87.6 (March 1956): 346-348.
“What I Come To Do Is
Partial” (review of Robert Creeley, The Whip), Poetry 92.2 (May 1958):
110-112.
Two from Barely and
widely,
Poetry
92.3 (June 1958): 133-138 [“Stratford-on-Avon” & “This year”].
“Three from Gaius
Valerius Catullus” (with CZ) [Catullus 1-3], Poetry 94.3 (June 1959):
148-149.
“Jaunt,” Poetry 95.5 (Feb. 1960):
296-299.
From
Bottom: on Shakespeare [“Ember eves” & “Z”], Poetry 97.3 (Dec. 1960):
141-152.
“Atque in Perpetuum
A.W.,” Poetry 101.1 & 2 (Oct.-Nov. 1962): 143.
“The Old Poet Moves to a
New Apartment 14 Times,” Poetry 101.6 (March 1963): 373-382.
“A”-17: A Coronal, Poetry 103.1 & 2
(Oct.-Nov. 1963): 124-137.
“Versions of Catullus”
(Quod mihi fortuna, with CZ) [Catullus 68, 68a], Poetry 105.3 (Dec. 1964):
155-160.
“A”-14; “Pronounced
Golgonoozà?,” Poetry 107.1 (Oct.1965): 1-51, 65-68 [issue devoted to LZ].
“A”-15, Poetry 108.6 (Sept. 1966):
357-375.
“A”-18, Poetry 110.5 (Aug. 1967):
281-303.
“A”-19,
Poetry
111.2 (Nov. 1967): 82-111.
From “A”-21, Acts I
& II, Poetry 112.5 (Aug. 1968): 297-322.
From “A”-21, Act III, Poetry 112.6 (Sept. 1968):
402-417.
“Peliaco Quondam” (with CZ) [Catullus 64], Poetry 114.4 (July 1969):
219-233.
“Program: ‘Objectivists’
1931,” Poetry 121.1 (Oct. 1972): 45-48 [reprinted from the Feb. 1931
“Objectivists” issue for a issue marking Poetry’s 50th year].
from “A”-22 [“AN ERA” to
“Nature says, this wet, vine” 508-527], Poetry 122 (July 1973):
215-234.
from “A”-22 [“Centuries
(place) telescope Sun” to end 527-535], Poetry 124.1 (April 1974):
35-44.
